A talented cast

Well that was exciting!

Library Photo

First night of The Tentmaker 2011 tour has come and gone and I must say it's a great feeling to have survived the new format. It was also a great chance to test out some shiny new sound equipment that Going Public have just bought.

Breaking from tradition, the play had a support act beforehand in the form of the elegant Miss Beth Bullock and her songwriting skills. If you haven't heard beth before I recommend you hop over to her Myspace page and check her out. I covertly recorded her set and may put a track or two up here, but not before I get permission from the lady herself.

The Depot at the Swansea Grand Theatre is a great little performance space; tiered seating around 3 sides, with a mirror and black curtain along the back side underneath an overhang that houses the PA. There is a gallery running above the seating which houses the lighting rig and operator, while the sound tech has a mobile desk and rack by one of the exits. 

We weren't able to use the PA without incurring extra charges for the host church so we took along a new HK audio system comprising of an active sub running two 10in tops on sticks. The tops themselves seem to put out a fair amount of noise on their own, but add the sub and it's a perfectly adequate system for an audience of around people.

Photo by Andy Crowder

When setting up the projector and screen I was presented with a problem. The throw of the projector wasn't short enough for the image to fill the screen without the screen being halfway downstage. Then I had a flashback to my days at college when we put on a concert and we had exactly the same problem, which was solved by one of our technicians by facing the projector backwards and having a mirror reflect the image back in the right direction, thereby essentially cutting the throw distance in half! This is exactly what I did with the wall of mirrors behind the stage and with a flip of the image so it was the right way round, we had a working screen! Maybe I should start packing a mirror in with the rest of the gear...

I may have mentioned that this was potentially the best venue that we would visit on the tour, but new information about the Ealing date has revealed that the The Depot is more akin to a secondary school rehearsal room when compared to the Ealing Christian Centres main auditorium and the amount of kit they've got! I'm very excited about this date now, but first I have to brave a week in the wilds of North Wales!

Now, where did I put that canoe...

Boys on tour

Tomorrow I am starting a second tour of The Tentmaker with Dai (Dave) Woolridge. This time around we have lost fellow techy Steve; the audio to my video, the Ying to my Yang. Instead we have managed to cobble together a single show file that I run from my laptop. It runs all the slides, videos and sound effects from a single bit of software. The weakest link in the chain is that the software we have made the show file from is Powerpoint, which has a habit of cutting the last split second off the ends of videos (when the video is a matter of seconds long, is quite a bit).
We already had a quick practise of the new format before performing at Ignite back in december, where the whole thing went off without a technical hitch (though maybe the odd human element crept in once...or twice...) so we know it works. The challenge this time is that because we now have two techs instead of one, there is the chance that load-in and load-out times might suffer quite a bit, especially when we are in venues where we have to provide our own lighting.
No two churches are the same, and as they are run by volunteers, there's an element of uncertainty as to what the church has in the way of equipment, and sometimes how much room there is to perform in! On the last tour we played in village theatres, sports halls, traditional anglican buildings, as well as a few chapels. This tour is taking place predominantly in wales, but makes short hops to the richer side of the border to visit Cranleigh, Ealing and Chippenham.

I tried to take a photo of something interesting from each venue last time, be it a gap in a newly built wall, or a mess of cabling underneath a "mobile" AV desk. Hopefully I'll keep it up, maybe soon I'll start  jotting down bits about each one and create a little black book of venues from the various tours I've done these past few years.

The sort of venue that we won't be playing in.

Theatre, dahling?

Two weeks of almost solid theatre work and it's over! I've acted in three different capacities on three different plays, but surprisingly I'm not worn out by it all! 

The first production was "The Tentmaker" with Going Public Theatre Company, where I was a one-man technical team, squeezing every last drop of performance potential out of Microsoft Powerpoint to try and make it all appear as professional as possible.

The second was a week-long run of "The little matchstick girl" with Pukka productions where I was lampie. Once we had got past the halfway mark, I had refined all my lighting cues, and the actors managed to remember all their lines and cues, making the whole thing very enjoyable and fluid. On the last day of performance we had a matinee, but none of the windows in the church-cum-theatre were blacked out, which meant scene transitions were visible to everyone in the audience, but they all went off without a hitch!

The third and final production was a play based on the nativity story at temple baptist church. Having a bunch of current and ex-glamorgan technical students, the christmas play is always a very technical effort, with lighting, staging and video all being squeezed into a little space. For this I helped program the lights, made a few of the videos and played in the band during the performance. It was probably the most haphazard and sketchily-prepared of all the productions but from where I was stood it all seemed to go as well as a typical church christmas play goes, with kids not knowing how to hold toy sheep, forgotten lines and some managing to turn off their microphones before going on stage!

To help round off the week, the techs kept the christmas play rig up so we could use it in the evening for the second of our Alchemi events. After giving one of the non-technical helpers a crash course in intelligent lighting for events, I hopped up on stage with the rest of the band and played our little hearts out with modern twists on christmas songs and modern worship songs. There was a talk by Hedd, talking about what our "nightmare before christmas" might be. hopefully there will be some photos coming up soon of the matchstick girl, christmas play and alchemi, ill put them up when they appear.

For now though, here is the title video that was played just before the talk to help people get into the right frame of mind for the challenging talk that followed. (Soundtrack by BRIGHTLIGHTS)

how to re-use a building

MISSION IMPOSSIBLE?

I've worked for a few productions with a local Am-Dram Society from Barry called Pukka Productions, and this year they've got big plans for their big yearly performance in december.

Porthkerry Methodist Church is up for sale in barry, and a local community arts group want to turn the church into the two-storey "Canolfan Porthceri Centre", incorporating galleries, a theatre and some various other arty rooms, a bit like The Gate in cardiff.

This year Pukka productions decided to utilise the space that the church offered, and use it for a week long run of performances.

The view in the panorama is what the audience will be seeing. The pews will have been taken away by December, but the heating pipes that follow the lines of the pews in a zig-zagwill most likely stay in place(above the floor!). This means that the whole area the pews now cover will have to be covered in staging a foot off the ground. 

The balcony at the back of the room is pretty treacherous to say the least, and i'm not sure about hanging fly bars from the roof beams, so back and top lighting will probably not be happening.

The first thing the Director said to me was that the play included lots and lots of complicated and drastic lighting changes! So of course I'm looking forward to seeing the script and finding out just how drastic these changes are meant to be!

It's going to be an interesting few months leading up to this play, I'll be sure to let you know what happens along the way, whether you like it or not!