Cli-clunk, Whrrrrrrr

Thanks to the wonders of modern digital photograph, merely a week after finishing Little Match Girl and performing at Alchemi, photographs have arrived on my virtual desk of the two events.

As LMG was my first proper foray into theatre lighting (using all my own design and programming) i feel particularly proud that nothing went monstrously wrong and i even enjoyed the experience! Anyway, a picture is worth a thousand words, so here's my dissertation.

LMG in a dream world

Drunk old crone

Cast singing the main theme song

LMG being wrongly accused

Tart singing about poor people enjoying a drink

LMG threatening a rich man for not giving her any money

If you've made it this far, well done! Usually after sifting through a bunch of photos of theatre I tend to blank anything else that happens after them and i imagine others may do likewise.

December'd Alchemi happened to fall on the evening of the church christmas play, which allowed us to tart up the room with lots of expensive things. If it pleases the court, may I present Exhibit A:

Photo by Ceri Herbert

I didn't have the foresight to take a before picture to go with this after one, but the church itself looks VERY different from the picture above.

Theatre, dahling?

Two weeks of almost solid theatre work and it's over! I've acted in three different capacities on three different plays, but surprisingly I'm not worn out by it all! 

The first production was "The Tentmaker" with Going Public Theatre Company, where I was a one-man technical team, squeezing every last drop of performance potential out of Microsoft Powerpoint to try and make it all appear as professional as possible.

The second was a week-long run of "The little matchstick girl" with Pukka productions where I was lampie. Once we had got past the halfway mark, I had refined all my lighting cues, and the actors managed to remember all their lines and cues, making the whole thing very enjoyable and fluid. On the last day of performance we had a matinee, but none of the windows in the church-cum-theatre were blacked out, which meant scene transitions were visible to everyone in the audience, but they all went off without a hitch!

The third and final production was a play based on the nativity story at temple baptist church. Having a bunch of current and ex-glamorgan technical students, the christmas play is always a very technical effort, with lighting, staging and video all being squeezed into a little space. For this I helped program the lights, made a few of the videos and played in the band during the performance. It was probably the most haphazard and sketchily-prepared of all the productions but from where I was stood it all seemed to go as well as a typical church christmas play goes, with kids not knowing how to hold toy sheep, forgotten lines and some managing to turn off their microphones before going on stage!

To help round off the week, the techs kept the christmas play rig up so we could use it in the evening for the second of our Alchemi events. After giving one of the non-technical helpers a crash course in intelligent lighting for events, I hopped up on stage with the rest of the band and played our little hearts out with modern twists on christmas songs and modern worship songs. There was a talk by Hedd, talking about what our "nightmare before christmas" might be. hopefully there will be some photos coming up soon of the matchstick girl, christmas play and alchemi, ill put them up when they appear.

For now though, here is the title video that was played just before the talk to help people get into the right frame of mind for the challenging talk that followed. (Soundtrack by BRIGHTLIGHTS)

how to re-use a building

MISSION IMPOSSIBLE?

I've worked for a few productions with a local Am-Dram Society from Barry called Pukka Productions, and this year they've got big plans for their big yearly performance in december.

Porthkerry Methodist Church is up for sale in barry, and a local community arts group want to turn the church into the two-storey "Canolfan Porthceri Centre", incorporating galleries, a theatre and some various other arty rooms, a bit like The Gate in cardiff.

This year Pukka productions decided to utilise the space that the church offered, and use it for a week long run of performances.

The view in the panorama is what the audience will be seeing. The pews will have been taken away by December, but the heating pipes that follow the lines of the pews in a zig-zagwill most likely stay in place(above the floor!). This means that the whole area the pews now cover will have to be covered in staging a foot off the ground. 

The balcony at the back of the room is pretty treacherous to say the least, and i'm not sure about hanging fly bars from the roof beams, so back and top lighting will probably not be happening.

The first thing the Director said to me was that the play included lots and lots of complicated and drastic lighting changes! So of course I'm looking forward to seeing the script and finding out just how drastic these changes are meant to be!

It's going to be an interesting few months leading up to this play, I'll be sure to let you know what happens along the way, whether you like it or not!